Mad Kane's weekly "limerick-offs" have been providing me lots of fodder for the past 3 months, and much enjoyment. Last week, her theme word was "dash" and the three best competitors - Adam Stern, Brian Allgar, and Will T. Laughlin - joined me in posting some ditties on Brit composers. Most of those "extra added attractions" didn't have the 'dash' tie in, but Ms. Kane, a former concert oboist, approved and let us keep going. Here are just a few, with mine in black print:
A Brit for a bit (1901-1914)
Born Aussie, the great Percy Grainger
Sailed for Frankfurt, then London, what dainger!
He needn't ask pardons
For his Country Gardens
'Cause Lincolnshire Posy was strainger.
Another Aussie ex-pat
Arthur Benjamin's Storm Cloud Cantata
Made Doris Day scream in vibrata
I should mention in passin'
She foiled an assassin
I guess if ya gotta, ya gotta.
"Storm" was the piece being played at Albert Hall in "The Man Who Knew Too Much."
Adam Stern's next one read,
Our survey is herewith appended:
Gerard Schurmann is most recommended.
His chamber and choral
Works yield rewards aural;
The six “Bacon Studies” are splendid.
My reply was,
I didn't know nuthin' of Schurmann
But I do know that old Bernard Herrmann
Wrote much music for Hitch
With dark leitmotifs which
Labeled characters who were the vermin.
Stern came back with this:
Further to Phil’s last (and even within the bounds of this week’s contest strictures!):
The assassin in question was brash
In assuming the cymbalist’s crash
Would conceal his foul crime,
But Day’s scream forced the slime-
Bag to flee (one might say: Nalder-dash!).
(The would-be assassin in Hitchcock’s 1956 remake of “The Man Who Knew Too Much” was portrayed by Reggie Nalder.)
My final one mentions the march writer, Kenneth J. Alford. Colonel Bogey gained fame as the one whistled by the prisoners in the movie, "Bridge on the River Kwai."
Alford wrote Colonel Bogey (not swill)
And Art Sullivan's songs bring a thrill
I'd try one on Handel
But can't hold a candel
To Adam and Brian and Will.
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